My dad likes Dire Straits, Clapton, The Police, Tracy Chapman, Bob Dylan, Roy Orbison. I know a few more from what he’s told me later in life, but those were the casettes/CDs he had around when I was a kid.

When I was a teen I tried to introduce him to the Pixies, but he looked like I was making his ears bleed.

It was my mom that introduced me to Pink Floyd though, which is really the only musical common ground I have with my parents (although I will definitely get whiskey drunk and belt out Dire Straits on occasion, or sing along to Orbison).

Take that! In 20 or 30 years…

I’m the kind of person that doesn’t even hear lyrics in music, game voice logs might as well be white noise to me. On the other hand, when the scene tells a story without words and you have to connect the dots yourself, I find that satisfying. Even basic examples like a corpse reaching toward the glowing red button.

Not that these are wrong, but I wonder about recency bias. Have these indicators been trending downward for 20 years, or is this just a response to our current crop of morons?

If Obama v2 was elected tomorrow, would these instantly reverse, like the international opinion seemed to when he took over from W?

Great episode, great finale, really strong first season. I had issues with some episodes trying to do too much in too little time, but for the last two episodes the writers focused on one story and did a damn good job tying up the season arc. Can’t wait to see where the show goes next season.

The one criticism I have of the finale, and literally everywhere else it comes up in new era Trek is: Stop moving the camera so fucking much! It’s unnecessary and really takes me out of it when the camera is wiggling back and forth, or spinning around in an arc, or acting like an unstable drone during the trial portion (particularly at the end). I want to drink in what’s going on, not be trying to puzzle out WTF I’m looking at, especially when stream compression turns a lot of motion into blurry pixels.

A little shaky cam when things are intense or exploding, sure, but overall I wish it was shot in a more conventional style.

Imo’s in St. Louis is my favorite overall. Thin, crispy crust, square cut, Provel as the base cheese. It scratches an itch that all other pizzas don’t. I’d eat it 7 days a week if I could, hot or cold.

I’ve had pizzas with superior ingredients, made in fancy ovens, served with wine instead of cold beer, but if I could get any pizza right now, it’d be Imo’s black olive or veggie pizza.

Not to be too much of a downer, but all of these cute Google search results and other “quirky” “fun” things billion dollar corporations do used to seem so harmless but now it just reads like a friendly logo on a baby mulching machine.

Have some links for the manipulation? I don’t think the Republicans really want to see either of them, frankly but I like Crockett.

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I don’t have any issue with seeing young adults growing and dealing with trauma. This episode has a lot of pieces working together in the overall storyline, I just don’t think it was that compelling within the episode.

The drama class half of the episode didn’t really go off. Maybe because I only know the play from what the episode told me about it, but I think it’s more like the actual growth part got cut off. We spend time with drunk Tarima (yawn) and then short cut the cadets actually performing the play with each other. That would have been the climax of that story, them getting into character, relating to it, working through it and reaching some sort of understanding or catharsis but that scene gets hand waved. Probably needed a full 45 minutes to do right too.

Or the Sam story, which was closer to the mark but still failed to create tension or consequences and ended up getting resolved neatly with a happy ending. Give Sam half an episode to be dead, for people to be sad, and the Doctor half an episode to reflect on it, resolving to do better before tying it up with a bow and it could have been great.

I love that the show isn’t constantly balls to the wall action and we’re getting a lot of character focus but the story juggling bit this episode in the ass and it isn’t the first to be trying to do too much and fumble the execution.

Sorry, that would mean the rich would get richer slightly slower. Best we can do is make insurance twice as expensive to appease our donors.

The hero roster will list everyone you’ve unlocked in a run, including the dead / left behind to help you figure it out. Characters can cycle off the bridge if they are injured or otherwise busy with story too, so double check Chakotay and Tom are actually gone and not just at the bottom of a list of 30 injured crewmen waiting to be treated or something.

I’m pretty sure when you get Klingon B’ellana the original is put back to normal in dialogue so that model/portrait makes sense.

But like for heroes disappearing between sectors, were they on quests? You can definitely leave people behind if you don’t fully resolve events.

Anyway, bad luck with the bugs. I’ve had it crash a couple of times or occasionally show an empty pop-up (which looks like it may be fixed now) but nothing really game breaking. Never lost more than a few cycles for reloading.

It’s a narrative game. The graphics are intended to be more functional than pretty.

I also wish there was more voice acting, but the problem there is likely that you’d need the entire Voyager cast to chime in to sound right and there is a lot of dialogue. Not to mention, even the voiced logs with Tim Russ / RDM sound off because they’re 30 years older…

As for 6GB of VRAM, I blame the engine if that’s a real number and not one from the recommended specs (which are probably more about GPU power than memory). This game runs on Steam Deck and it technically doesn’t have any VRAM.

Another person of refinement and good taste, I see. Both gone way too early. I have been rationing Discworld since Pratchett died.

I think it’s pretty fun. Even knowing the story beats, things go way different than on the show.

In my current (still first) run Tom and B’ellana got sucked into a black hole and died, but B’ellana’s full Klingon half is on phasers, Tuvix runs the mess and the Doctor runs the sick bay in tandem with a Malon. Voyager is armed to the teeth and just stomped the shit out of the Borg. I’m still missing a lot of heroes so I must have missed some opportunities too even though I’ve been hitting almost every mission.

Anyway, I enjoy narrative games and ones like Ixion or Fallout Shelter so this was aimed right at me.

However, I hated the suggested romantic tension between Caleb and Genesis, fortunately it didn’t went further than that.

I think they did that well. Spent one moment of “is this…?” and then moved on. Felt very young adult to me, but I also hope that’s the last of it.

Yeah, I liked the episode, nothing felt out of place in individual scenes, but you’re right it does feel like they were trying to fit too much story into too little time. There’s like four B-plots in there.

I have played the first 4 or 5 sectors now and it does hit a lot of the highlights but not every episode (although there may be some randomness to what shows up). I fucked up and entirely skipped Tuvix though.

Wesley (the boy?!)

True to your username, I heard the clip haha

the director thinking Geordie was an alien

Ugh. How did Stuart Baird end up directing this when you have a huge bullpen of Trek actor/directors that could’ve done so much better? Frakes is right there and did fine on First Contact / Insurrection. LeVar Burton himself, or even Roxann Dawson or Robert Duncan McNeill would have been available by then (although most of their directing credits come later).

I could understand if they went outside for someone that had a track record of decent movies, but Baird had little experience directing before Nemesis and apparently none afterwards.