

I took a crack at Infinite Jest maybe 10-12 years ago and found it extremely tedious to get through the first few hundred pages before I put it down. I’m weirdly edified that LLMs have taken the wind out of this sort of literary masturbation.


I took a crack at Infinite Jest maybe 10-12 years ago and found it extremely tedious to get through the first few hundred pages before I put it down. I’m weirdly edified that LLMs have taken the wind out of this sort of literary masturbation.


All I know is that Sisko, Bashir, and O’Brien all identify Section 31 as non-Starfleet assholes that need to be stopped at all costs. Discovery has Pike practically saluting Section 31 genocidal Empress Georgiou and revering the black badges in a way I’ll never forgive it for.


I think DS9 did Section 31 right, as the bad guys to be foiled, as anathema to Starfleet’s ideals, but yeah every other show seems to miss the point.


Enterprise established it as a result of Klingons experimenting with human augment DNA and it getting out of hand. It probably didn’t need to be addressed in universe, but I thought it was a fun retcon.


Ugh, Discovery just made no sense in a million ways. My (least) favorite is how Control was sentient AI like a century before Data was a thing, or even M-5. That and every time Section 31 was acknowledged as Starfleet black ops instead of a rogue agency of assholes.


30 fold means 30x not 30%, but I agree the article could use some more raw numbers.
That said, I don’t think it’s in doubt that our education system is fucking up. The current gen of college students, my son included, got their high school experience seriously fucked by Covid and now LLMs are basically devaluing having skills at all. I feel bad for kids these days, their prospects are so much worse than basically any previous gen, even with degrees.
It means making yourself more attractive by smashing your bones and micro dosing meth while receiving payouts from Peter Thiel
I haven’t interviewed anywhere in nearly a decade, but damn, the human interaction part is so important. These are your potential future coworkers, a vibe check goes both ways.
I don’t think I’d even do the first automated interview, tbh. If a human is going to be involved in hiring me down the line, they can damn well be present while I’m answering their questions.


Thanks for the rec!


Upvote for Jesse Welles. I appreciate his music can be topical, but also humorous and chill. Maybe not the sort of protest songs you play to fire people up, but definitely ones that will get their message stuck in your head.


I read the post, but as I mentioned elsewhere, how are devs (or malicious commercial thieves looking for public domain code) supposed to detect this code is an LLM creation when all of the obvious signs they mention are stripped?
A ban on people using an LLM in secret is unenforceable and the code output can be indistinguishable from a human’s, especially when a real human that understands the change is there to baby it and write commit messages etc.


Fuck you, Ellison and Paramount. I’d rather watch the franchise die than turn into fanfic for fascists anyway.


How are the devs or anyone else supposed to tell that though, if all the LLM trappings are absent?


That seems pretty good to me? I hate LLMs, but this policy is basically “if it’s obviously LLM garbage or you don’t understand it, it will be rejected” and I’m not sure it’s practical to do better.
People will use LLMs behind the scenes, but if they are able to write a coherent justification with clear understanding of the code, receive feedback from devs and rework it, as well as submitting code that is well structured etc. it’s not really any different than any other PR.
No, that women will dress provocatively and then shame people that actually look at them.


I really don’t have any problem with any of these types of achievements in general. Even the super basic ones that you get by starting a game are useful to determine what percentage of people who own the game have actually played it beyond the menu screen.
The best achievements are ones you get for being clever, skilled, or dedicated. Or when it’s an unhidden achievement for something you didn’t even know was possible. Like the BG3 achievement for saving the goblin Sazza - just seeing it was possible made my next play through more interesting.
I do appreciate long ending achievements, but only if they indicate a significantly different playthrough. Good ending vs. bad ending works when that’s the result of many decisions and not just an option you chose ten minutes from the end.
My dad likes Dire Straits, Clapton, The Police, Tracy Chapman, Bob Dylan, Roy Orbison. I know a few more from what he’s told me later in life, but those were the casettes/CDs he had around when I was a kid.
When I was a teen I tried to introduce him to the Pixies, but he looked like I was making his ears bleed.
It was my mom that introduced me to Pink Floyd though, which is really the only musical common ground I have with my parents (although I will definitely get whiskey drunk and belt out Dire Straits on occasion, or sing along to Orbison).
Take that! In 20 or 30 years…
Haha, I have the same feeling for opposite reasons. I grew up in a warmer environment but kept my feet against the cool exterior wall my bed was next to. Now I have to have my feet uncovered and a fan on just to feel comfortable and tucked in sheets feel like I’m trapped.
Being human, eh?