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Joined 2 years ago
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Cake day: June 12th, 2023

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  • by adding features you can only get if you are on their platform. Their goal is to make most people prefer the Meta version of the fediverse

    Why is this a bad thing? This is the system working as intended: a company forced to make a service people want, rather than just taking users for granted. You resist enshittification because you’re not being held hostage through access to content, so the company is forced to make the service good. And this will attract other companies to produce competing services.

    And besides, most people already prefer the Meta version… they already have the user advantage. There’s already way more users locked in their services than there is on the rest of the Fediverse.


  • I am optimistic about Meta’s investment in the Fediverse. If you don’t believe the Fediverse can survive the embrace of big tech, I don’t think you believe in it at all. You don’t want an open web, you just want to be the one in control. The goal of a decentralized internet - in my opinion - is to separate content from service. And if you believe that is the future, then you have to accept that companies are going to build new services that will try to monetize that content. But the beauty of that paradigm is you get to choose the service that works best for you without sacrificing access to the people or media you’re interested in. And really, it’s not much different from say, Google, being able to monetize Chrome because it can access your website. I mean… yeah, but that’s kind of the point?








  • If you want, you can view science as a system of organization. A way of making sense of facts. If I give you a file of seemingly random ones and zeroes, it is useless. If I give you an algorithm to decode those ones and zeroes into a message, that has utility. However, somebody else could produce an algorithm to decode those same ones and zeroes into an entirely different message. So, which algorithm is correct? Neither.

    But say I give you another file, and Algorithm B doesn’t produce anything useful for this message, so now Algorithm A is more useful. But I also provide a new Algorithm C which also finds messages in both files. Now which is more correct, A or C? And on and on. We continue to refine our models of the data, and we hope that those models will have predictive utility until proven otherwise, but it is always possible (in fact, almost guaranteed) that there is a model of the universe that is more accurate than the one we have.

    Consider the utility of a map. A map is an obviously useful thing, but it is also incomplete. A perfect map, a “true” map, would perfectly reproduce every single minute detail of the thing it is mapping. But to do so, it would need to be built at the same scale as the thing it is mapping, which would be far too cumbersome to actually use as, you know, a map. So, we abstract details to identify patterns to maximize utility. Science, likewise, is a tool of prediction, which is useful, but is also not true, because our model of the universe can never be complete.





  • or played the game

    I would argue it’s actually a detriment to experience anything other than the source material when adapting a work. Especially with books, different people are going to have wildly different interpretations of the world. The character that exists in your mind is going to be different from somebody else who read the same book. But once it is adapted to a visual medium, you lose a bit of that magic. Which sucks, because all of those previous interpretations are still valid! More valid even, than anything that was put to screen, because they were yours.

    I think the argument for accuracy is kind of bullshit anyway (not that you said this, but others have). Is The Shining (the film) worse for the changes it made to the original text? Stephen King might think so; he would also be wrong. You don’t want something accurate, you want something that’s good. You want somebody with passion and artistic vision to create something new and uniquely amazing. The recent Last Of Us show, to my knowledge, tread pretty closely to the source material. “Aha!” you might say. But what is also true, is that the best episode of that first season was also the probably the biggest deviation from the source material. I probably don’t even need to say which one if you’ve seen the show.

    Anyway, companies should hire people who are both passionate about the source material, and want to make something cool and new in that world - not robots who are just going to recreate the original work beat for beat. If I wanted that, why wouldn’t I myself just, you know, read the book?



  • while yes it’s cool that I can talk to Lemmy from my Mastodon account, it’s quite a clunky experience

    I do wish they were slightly more interoperable. It’s currently very hard if not impossible to discuss Mastodon posts directly within Lemmy, and likewise you can’t make a Mastodon-style post to your personal Lemmy profile. These may seem like unimportant changes, but I think much of that stems from still viewing these services from the frame of the limitations of what they are based on. They could be so much more!

    Lemmy itself has big problems with the interoperability of servers. There are two major issues I see with the way communities are structured. The first is that listed subscriber numbers are for your server only, which makes the entire ecosystem seem way less lively than it actually is, which has the effect of making it even less so. Subscriber numbers should be fed in from a community’s home server.

    The second is that there are many redundant communities, which makes it difficult for onboarding new users. There should be some way to group like-communities into super-groups based on topics. That way community leaders have the ability to easily aggregate similar content, rather than leaving it to the user to figure out, and you could opt-out as a user by simply not subscribing to the super-group community.


  • I’m sympathetic to the view that artists should be paid for their work. Collectively, artists have produced so much, and these tech companies are funnelling all their work into a machine and recycling it into new works, and profiting off that, without any compensation for the people partially responsible for this new reality. I’m also not interested in people who argue “but actually it’s not copying that’s not how the technology works it’s actually a really complic-” yeah I don’t care. Without the artists you would have nothing.

    BUT

    Don’t confuse the business practices that make this technology a reality with the technology itself. These tools are incredible, and will result in things that could have never existed previously. I just believe we need to have serious conversations about what they mean for our future.