Official Lemmy account for MetaStatistical @ YouTube. I’m also on PeerTube.

Welcome to MetaStatistical

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  • 11 Comments
Joined 2 years ago
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Cake day: November 11th, 2023

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  • Even with places like YouTube, where LUFS level is strictly defined, there’s sooo many creators who have no earthly idea what LUFS is, which levels YouTube enforces, and how it corrects for it. They post their videos with quiet narration and wonder why viewers get annoyed at all of the turning up and turning down of volume on each video.

    See, YouTube enforces LUFS on videos by reducing volume on loud videos down to -14 LUFS. But, it doesn’t do anything to quiet videos. If you ever bring up the “Stats for Nerds” and look at the “Volume / Normalized” value, you might see something like “content loudness -5.9dB”. That means it’s -5.9dB quieter than it should be, and the creator should have amplified the video to normalize the volume levels before uploading it to YouTube.

    So, you end up with a video that’s about -6dB quieter, and you have to turn up the volume to actually hear the narration. Then your TV or whatever device you’re watching will get blasted by the next video, which is properly normalized at around 0dB, and you’re forced to turn the damn volume back down.

    YouTube has finally started to acknowledge the problem by introducing the Stable Volume feature. But, really, creators should educate themselves on how to properly mix their audio. I know editing is hard and there’s so many moving parts to deal with for YouTube uploads. But, audio quality is everything in a YouTube video. Nobody cares about whatever random B-roll video game footage, or PowerPoint slide presentation, or watermarked stock images, or videos of you presenting the narration with a lapel mic tied to a tree branch you’re using on the video side. It’s all about narration and audio quality.



  • What has ACTUALLY decimated my industry is the overvaluation and inflation of everything in the economy

    The real answer, like every creative industry over the past 200+ years, is oversaturation.

    Artists starve because of oversaturation. There is too much art and not enough buyers.

    Musicians starve because of oversaturation. And music is now easier than ever to create. Supply is everywhere, and demand pales in comparison. I have hundreds of CC BY-SA 4.0 artists in a file that I can choose for use in my videos, because the supply is everywhere.

    Video games are incredibly oversaturated. Throw a stick at Steam, and it’ll land on a thousand games. There’s plenty of random low-effort slop out there, but there’s also a lot of passionate indie creators trying to make their mark, and failing, because the marketing is not there.

    Millions of people shouting in the wind, trying to make their voices heard, and somehow become more noticed than the rest of the noise. It’s a near-impossible task, and it’s about 98% luck. Yet the 2% of people who actually “make it” practice survivorship bias on a daily basis, preaching that hard work and good ideas will allow you to be just like them.

    It’s all bullshit, of course. We don’t live in a meritocracy.


  • Stable Diffusion does a lot already, for static pictures. I get good use out of Eleven for voice work, when I want something that isn’t my own narration.

    I’m really looking forward to all of these new AI features in DaVinci Resolve 20. These are actual useful features that would improve my workflow. I already made good use of the “Create Subtitles From Audio” feature to streamline subtitling.

    Good AI tools are out there. They are just invisibility doing the work for people that pay attention while all of the billionaires make noise about LLMs that do almost nothing.

    I compare it to CGI. The very best CGI are the effects you don’t even notice. The worst CGI is when you try to employ it in every place that it’s not designed for.




  • Here’s an instance that does follow spectra.video > https://peertube.wtf (my instance), but I also only follow a select few instances, because there is a lot of crap being uploaded to the videoverse and that just makes for a worse experience.

    That’s also Sean’s experience with administrating Spectra.video. And that’s one of the main problems, isn’t it?

    With Lemmy, the posts are well-moderated and most of the good content bubbles up to the top, on the highest-populated servers. Both community moderation and instance moderation are working well. Everybody is federated with almost everybody else because, with only a few exceptions, the community is healthy and thriving.

    With PeerTube, there’s so much random crap being uploaded, with no real community-based moderation (like upvoting). The top servers are either European politics, non-English content, or gore-related. There’s also a lot of people that are more concerned with using PeerTube as a backup outlet than actually serving content to users.

    There is nothing however that would keep you from searching for or following any channel, on peertube.wtf because global search is enabled.

    That doesn’t tie into the home or discover videos page, though. Any random user that wonders into YouTube might be searching for something specific, or might just be clicking on random videos on the home page. Eventually, YouTube customizes the content to fit the user’s tastes. I don’t even have to specifically look at my subscriptions. The main home page already gives me good recommendations.

    If PeerTube is going to take off as a YouTube replacement, it needs to find a way to keep new users from immediately clicking away when they browse the home/discover pages.